Irrational Encounters With The Modern World

Posts tagged “Punk

Diary Of An Anti-Tory Protestor – Part 1

George Square, 30th March 2013

There comes a point in every man’s life – or, at least, I hope there does – when you realise that clicking “like” on shared Facebook photos and statuses is not an adequate or forceful form of protest. My own study of history leads me to believe that women received the vote as much for the roles they fulfilled during the First World War as for their widely-known protest movement. Yet, it is is hard to believe that Emmeline Pankhurst would have been quite so powerful and historically renowned a figure had her cohorts not chained themselves to the railings of Downing Street and instead merely hashtagged #Suffrage on Twitter. On Twitter, due to the limitations of hashtags involving punctuation, it is not even possible to accurately tag it #Women’sSuffrage.

I was aware, through Facebook, of an actual physical protest being held in my city on Saturday 30th March. This was the end of the week in which, as previously documented here, I had sent out a Tweet requesting that someone hit That Cunt Cameron in the face with a shovel, which was subsequently retweeted by an MSP. It was reported in the Daily Record, and then raised at First Minister’s Questions in the Scottish Parliament. My involvement, the reasons for my tweet, and the sentiment behind it were not discussed, and the full (lack of) reaction can be read in the follow-up post here. It seems that I had violently and abusively summed up the consensus of growing public opinion.

I can’t remember how the protest first came to my attention, although due to the political motivations of several of my friends and mutual friends, it began appearing on my pages with some regularity. I have since joined the Anti Bedroom Tax Protest In Scotland page, and have long been a follower of the “The last person to enter parliament with honest intentions was Guy Fawkes” page.

 

Last summer, I had bought a couple of Scottish flags, saltire crosses upon the centre of which I stencilled the logo of my favourite band. One of them ended up on stage with them at their Glasgow gig, held aloft during their encore at The Arches to loud cheers. I had planned to do something similar for another band I was seeing in Berlin at Christmas, but never got round to it. With this “spare” flag still in a drawer, I looked it out and wrote “F_CK THE TORIES” across the middle of it. While the back of my shirt has the same phrase uncensored, it occurred to me that self-censoring the first word would make it more publication friendly, should any photographers or cameramen happen to record it. The message is still unmistakeable, and I deliberately used an underscore in place of the “U” so that, if I decide to, I can fill it in later. The task, which I had started when I got in from a late-night comedy show, was finished by about 5am. I slept a few hours, and then dragged myself out of bed and down into the town.

I knew a few people who had said they were going, and another couple of dozen who had clicked “attending” on the facebook page with no real intention of showing up. One of the former, my friend Matt, was also attending his first ever protest, and I had provisionally arranged to meet him. The overall plan was to assemble at the Green, march to George Square, and rally there. I was running a little late, thanks to the company who – due to the frequency with which they announce it – may be known to the uninitiated as “Scotrail Apologise.” This same company is better known to users of social media as “Fuck Scotrail.” Thanks to their sterling inability to run trains to anything even approaching the timetable they set, I made it to the Bridgegate just as the march set off. Matt was, he texted me, next to a large black Scrap Trident banner, and I stood on the corner of the street until I spotted it. This being a protest march and not an orange walk, it was very easy to infiltrate the ranks to cross the marchers and join him.

 

It fair fills you with civic pride to march alongside hundreds – thousands – of others who all care passionately about the same thing. Especially when you know you are in the right. This “Bedroom Tax”, to use the accepted colloquial term, is completely unworkable. The government are demanding people downsize into homes that just do not exist – it has been widely reported that there are tens of thousands of people who are now required to move into a couple of thousand homes. The housing needed – affordable single-bedroom homes – is not physically available in anything even approaching the numbers necessary. Those affected, therefore, will have to make up the resulting shortfall in their rent, on the back of this cut, and if they can’t keep up payments they will face eviction. On the face of it, this does not affect me. I live in a one-bedroom flat. However, on the back of all the other ill-thought-out strategies – involving Workfare, ATOS, the NHS in England, funding for Trident – and the general hypocrisy of Tory rulers who are, largely, millionaires and have little or no idea what life is like on the breadline – I have had enough. This party has one MP in Scotland. One. That is not a mandate to rule, and when That Cunt Cameron installed himself as the Prime Minister I immediately wrote “Fuck The Tories” across the back of a shirt, in the DIY protest spirit of the original punk movement.

 

With growing anger, I have watched as the Tories have systematically undermined the entirety of the welfare state – rights that were hard fought for by our recent ancestors. On the back of my infamous tweet, mentioned in the blog already linked to, and the general apathy with which it was mostly met, I realised that it is time to protest in a more visible form. I don’t mean, and am not advocating, masks and molotov cocktails, but just being on the streets and marching and swelling the ranks by the number of one. It is my belief that people are taking to the streets to protest the Bedroom Tax, because if they don’t then inordinate numbers of people will be forced to LIVE on the streets. That’s when homelessness increases, and then crime increases, while businesses fold as people divert disposable income into living expenses. It’s time to stand and fight.

This is how I came to find myself in the midst of three thousand people, wearing a shirt and holding aloft a flag that both state my view clearly – Fuck The Tories. I didn’t join in with any chants, partly from being self-conscious, and largely because everything I wanted to say was clearly written upon my person.

msp shirt protest

To my mind, this is the part in the film “Network” where he says “I want you to get up right now, go to the window, open it, stick your head out and yell ‘I’m as mad as hell, and I’m not going to take this any more!’ I want you to get mad!”

I want you to get mad. This affects us all, directly or indirectly. You don’t have to support the SNP or want independence to realise that this whole Bedroom Tax fiasco is unjust and totally unworkable.

 

When we got to the Square, I bumped into or met up with another few friends. My friend McGovern is no stranger to socialism and protest marches, and he joined us to listen to the various speakers being introduced by comedian Janey Godley. I found the pair of us in one of the photographs that was circulated online after the event.

msp protest circled me mcgovern

At least four people took pictures of the back of my shirt – they got my best side – and three of them had the courtesy to ask first. When I went home afterwards, I stopped at a local shop to pick up some messages. A wee woman came up to me from behind and said “Do we just add a tick if we agree?”

Like I said, the feeling is widespread. If you feel that passionately, then do something. Make yourself heard. Stand up for what you believe to be right. Stand up for those who can’t stand up for themselves. Today, for the first time in my life, I realised that I feel prepared to lock arms with people and prevent evictions, if it comes to it. I’ve had enough.

I’m as mad as hell, and I’m not going to take this any more.

 

bedroom tax meme

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Karaoke – What A Carry-On.

My aversion to karaoke as a form of entertainment is such that, if I am in a pub and it becomes apparent that there will be karaoke, I leave. I am willing to accept most types of music as background noise to whatever conversation I may be having, but I refuse to accept the dominance that is afforded a procession of tuneless drunks.

There are a handful of exceptions – I’ve tolerated it at a few places-of-works’ nights out, a stag night, and – well, that’s it to the best of my memory. As a general rule, if there is no occasion and I am just out for a drink, I’ll go elsewhere.

I have been coerced into participating only twice in my life. This is, in part, due to my complete and very noticeable inability to sing. The other factors involved were alcohol (lots of it) and peer pressure.

The first occasion was in “My Father’s Moustache”, a pub in East Kilbride, where I then worked. I worked for the catalogue shop Index, and our entire staff (numbering about twenty or thirty) were in the pub for some reason or other, besides the obvious. The drinks were flowing freely, and it was the night that Darius was kicked off Pop Idol. I remember this clearly, because at the time I was being told on a regular basis that I looked like him.

As a succession of regulars crooned their ways through all the usual hits – Mustang Sally, Brown-Eyed Girl, Wonderwall, I’m Gonna Be (500 Miles), New York New York – our party got progressively drunker. We were loud, rowdy, good-humoured, and having great fun. Somehow, I got roped into going up.

My song of choice was “My Way” as sung by Sid Vicious. This was probably towards the end of the period I spent listening to Punk, and I recall that I was wearing my Slayer tour shirt that evening. My name was called, along with the observation “As a special treat, here comes Darius, straight off Pop Idol,” and I ventured forth amidst gentle laughter, to take the mic.

The punters would look to the screen as each singer stepped up, to see what song they would be assailed with, and so up came “My Way.” People went back to their conversations, absolutely not expecting the off-key and piss-taking intro to that version of Sinatra’s classic. You know that scene in the western film, when the guy walks into the bar and the music stops and the place falls silent? I achieved that. My “singing” of that verse, in that vocal manner, briefly shut up an entire pub.

As the song kicked in, and I sneered my way through the second verse as Vicious had done, I was joined on the stage area by a stranger who – judging from his age and enthusiasm – was part of the original musical and social movement that produced it. He grabbed a second mic from its stand, and tried to join in as the host took it from him and reprimanded him with the rules – one singer, one song. No backing vocalists. So, instead, he began vigorously pogoing around the floor, clapping his hands, headbanging, and trying to cajole everyone sitting near the front of the stage area into sharing his energy and appreciation.

That was the first time I ever attempted karaoke, and I still remember it vividly eleven years later.

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The second time, it was an aftershow party in very early 2008. I had been working on a pantomime, and all of the cast, crew, and ushers were enjoying private use of a hired nightclub. There was karaoke, and by about half-two in the morning I was drunk enough to agree to a pal’s suggestion to participate.

As one of the cast belted through his own unique, and trademark, rendition of The Sweet’s “Ballroom Blitz” (“Balls and Tits!” he cried gleefully), we decided upon the song for us. The obvious selection was Falco’s “Amadeus” – renowned, fondly remembered, and suitably ridiculous. Up it came on the screen.

Revealing himself to be surprisingly astute, given his aptitude at work, my friend immediately spotted the flaw in our plan and helpfully announced “Fucksakeman, it’s aw in German.”

It was, indeed, in German. We hadn’t thought beyond the famous chorus.

I rapidly descended into drunkenly listing all of the German words I could think of, rather than attempting to read aloud those on-screen. For a start, I’ve never studied the language, and I wasn’t helped by how fast Falco was rattling through lyrics I was struggling to comprehend let alone pronounce.

In hindsight, it’s unfortunate that most of my German comes from war films, Spike Milligan sketches (“Schweinhund!”), and five years of schooling in the achievements and failures of Bismarck, the unification of Germany, the first world war, and Hitler’s rise to power. It is probably just as well that it was a private party, I think in a pub I would have achieved silence a second time…

There are no plans for a third attempt.

 

 


Dubious Claims To Fame – 8

I don’t generally consider meetings in my line of work as claims to fame, as I’m sure I’ve explained here previously. It’s something of a given, working in theatre, film, and television, that you are going to have minor brushes with celebrated faces and personalities. There are plenty of people out there who will regale you with tales of how they “worked with” some famous actor or comedian, when what they mean is that they positioned lights to shine on them, or rigged a PA so they could be heard, or some other far more mundane interaction which doesn’t merit the implied collaboration of that phrase “worked with.”

I’ve met a few blowhards too, who will drop the names of everybody they can think of, just for the sake of it and, I guess, to make themselves seem interesting. I’m not interesting, not in the slightest, but I do at least try and write up my experiences in a way that will hopefully be broadly entertaining to read. I can tell from the site stats that nobody reads any of it anyway, yet. So it doesn’t really matter what I write here.

I was working on a film called New Town Killers, which stars the actor Dougray Scott. I am fine with dropping his name, because – for all his international success – my greatest claim to fame regarding him is a family connection: my grandmother was his godmother, and she stayed close friends with his mum. It is very hard to be phased by a big-name Hollywood star and once widely-rumoured new James Bond when you know your aunt has long claimed (embarrasedly) to have accidentally dropped him on his head while babysitting him.

We were dressing a set in an empty office block and, if you’ve seen the film, it was for the squat – a dirty, graffitied mess of a flat. We piled in all manner of salvaged cupboards and units, a filthy mattress, couches and furniture, broken bits of bikes, traffic cones, and all kinds of other things that made the place look lived-in but not cared-for. A street artist came in and did some very big pieces on the walls, and we all added to it with tags (or “menchies” in local parlance) – if you look very closely, you can see my spraypainted initials¬† in the back of several shots.

Under instruction, we scoured the disused building we were in, looking for any abandoned items we could dress into the set. I had already gone on a mission to get flyers and posters from local clubs and so on, and these were used to cover windows and provide further background detail. I had also found, while scouring the various floors, an unused Health And Safety sign, of the type required to be displayed in business premises by law. I added it on the wall beside the flyers, but I knew it couldn’t stay – it looked out of place, was too noticeable.

It was about this time that the director arrived on the set, to see for the first time how we had transformed the space. The film was being directed by Richard Jobson, and I was more excited about his involvement in the piece, on account of my teenage punk fixation and on account of his previous career singing for The Skids. He walked into the room and looked around, happy with what he saw. It was at this point I was putting up the H&S sign, and realising it couldn’t stay. I had an idea, though, that might help it blend in.

He took a call on his mobile, and sat down in a manky armchair in the middle of the room. While he was chatting, and unsure how it would be received, I got the biggest permanent marker I could find, and – in large black letters – wrote “BOLLOCKS” in block capitals diagonally across the poster. It was at this point he interrupted his conversation to say distractedly to the person on the other end “Sorry, I’m just watching someone write ‘bollocks’ on the wall, and I wish it was me.”

So that was the time my rebellious attitude to authority was approved by the guy who co-wrote and sang “Into The Valley.”